Montana Blues Festival Season!

If there is one thing Montana natives are no stranger to it is the Blues.  To get away from it all and also to shake their thangs there are many festivals to choose from.  This year I had the pleasure of attending three of my very favorite festivals this year!

Big Sky Blues Festival – Noxon, Mt

Big Sky BluesThe Noxon Blues festival has the reputation has the reputation for being one of the most laid back and relaxing festivals while still having the best musical and sound quality.  This year was no different with bands from Rafeal Tranquilino to Randy Oxford gracing the stage run by Groove Merchant the sound company out of Seattle.  This is a yearly staple if my schedule.

 

 

The Riverfront Blues Festival – Libby, Mt.

Riverfront BluesThis wonderfully glamourous located right next to the river provides a perfect location for blues fans from all around to enjoy their favorite bands.  This year the Red Hot Blue Chips (Montana Zydeco Band) was happy to play a set to start out the show.  Keep us coming back Libby we love you!

 

Flathead Lake Blues Festival – Polson, Mt

Just when I thought I was full of beautiful scenery and blues music the Flathead Lake Blues Festival blew me away this year.  I played with Andre Floyd with Mood Iguana as well as the Red Hot Blue Chips as the headliner for one of the nights.  Then there was an all-star jam hosted by yours truly that turned out to be the highlight of the evening with members of all of the previous bands joining in for some sweet musical times!

flathead lake

Guitar virtuoso comes to Whitefish!

June 2013

Diego Figueiredo is one of the best young guitarists world. He is winner of several important competitions  like Montreux Jazz Competition, VISA Prize and some others. With  a lot of recorded albums and books, Diego is debuting a new concert series, “From Classical to Jazz”. It is a fusion between Jazz , Bossa-nova and Classical music. Diego has an unique interpretation with a lot of technique and emotion. his show has been a great success  in many countries for many audiences.

DandK with DiegoDonny & Kleist had a great opportunity to play in a house concert with Diego and it turned out to be one of the duos most favorite musical moments to date.  Playing traditional choro tunes like “Tico Tico No Fubar” as well as jazz standards like Black Orpheus the trio soared into the hearts of the intimate crowd of listeners who saw that night.

Diego returns in February and hopefully many more trio sessions will be in store!

Whitefish cover band transported from ‘1985’ Missoulian article

1985 crush photo

May 18, 2013 6:00 am  •  By Tristan Scott

WHITEFISH – Armed with a quiver of synthesizers, effects pedals, crème-colored vintage blazers, and a repertoire of timeless hits, local ’80s tribute band “1985” is reviving the decade of decadence in Whitefish, and doing so in earnest.

With a flair for theatrics and a quasi-sincere belief in time travel and quantum tunneling, the four-piece ensemble opens each show with a short video documenting its displacement – via a freak, inter-dimensional space-time continuum accident – from 1985 to its modern existence in Whitefish where retro is decidedly still relevant (recent shows have featured throngs of dedicated fans whose garish, neon-clad wardrobes of leg warmers, sweat bands, fish nets and collarless fitness tees hail from a not-so-distant generation).

Convinced they are a rock-and-roll set from the past, the band members rarely break character, and distance themselves from the usual ilk of synth-pop cover hits and Billy Idol re-quickening acts by ensorcelling crowds with a stock of dance songs that are at once obscure and recognizable – a la Peter Schilling’s “Major Tom,” Midnight Oil’s “Beds are Burning,” David Bowie’s “Let’s Dance,” and Gary Numan’s “Cars” – and which are played to near perfection.

Populated with classically-trained musicians and bristling with pedals and synthesizers that helped mold the foundation for new wave artists such as The Cure and Roxy Music, the band’s stock of songs is the stuff that was common place in those Yamaha-riddled days of decades yore. And the schtick works.

The band’s stunts include incendiary on-stage arguments that have, during recent shows, convinced onlookers that they are on the verge of a permanent schism, while the video skits revisit their time-bandit adventures with convincing authenticity.

“In the summer of 1985, a mildly talented unknown cover band was playing a show at Poochie’s Pet Wash and Espresso Bar in San Bernardino, California,” goes the onscreen introduction, which exhibits a VH1-style behind-the-scenes themed narration by band leader Nick Spear. “Bass player Charlie Bird had just purchased what he thought was ‘a really bitchin’ chorus pedal’ at a local pawn shop. But that night at the gig, when he stomped on the pedal for the first time … the entire band disappeared, never to be seen again.”

They reappear in Whitefish, so the story goes, and the rest, they hope, is history – though a history with relevance in the now.

“We’re searching for the right combination of pedals to teleport back to 1985, but so far we just keep teleporting to other venues in Whitefish,” says Spear, a fixture in the local music and theater community.

In addition to guitarist and vocalist Spear, aka “Slice,” the band consists of keyboardist Don Caverly, aka “Tommy Perfect,” drummer Marco Forcone, aka “The Force,” and bassist Matthew Bussard, aka “Charlie Bird,” whose bass pedal mishap was ostensibly responsible for tearing a wormhole through time that, fortuitously, landed them in Whitefish.

Spear, who played in a previous band that opened up for ’80s-era stalwarts Missing Persons and Flock of Seagulls in the mid-’90s, and who has a Master in Fine Arts in Theater, also writes original music, but wants the momentum of 1985 and its unique stage act to transcend the trend of ’80s cover bands by featuring “a seamless multimedia experience.”

To accomplish that, the members of 1985 accompany their show with a synchronized stream of video and audio bytes featuring recognizable pop culture elements from the decade, be they excerpts from memorable John Hughes’ films like “The Breakfast Club” to accompany the band’s cover of Simple Minds, or “Ferris Buehler’s Day Off,” which tracks along with Yello’s “Oh Yeah,” to which Spear sings through an identical effects pedal. Other familiar dashes from the era might include the Wendy’s “Where’s the Beef” slogan or Max Headroom’s “Catch the Wave” Coca Cola commercials.

“We want to bring the party every time,” Spear said. “When we play, there’s no pretense. There’s no fear of appearing to be stupid. It’s a cover band. How seriously can you take yourselves?”

Caverly, a full-time musician who also teaches music in the Flathead Valley, said his involvement in the band, beyond the time-travel element, was born of his love for ’80s-era synthesizers and the genre itself.

“It’s better than ever,” he said of the new wave genre. “It’s no less sophisticated than pop music is today. All these ’80s songs are full of choir patches and synth strings, and the Yamaha DX7 was at the forefront of synthesizer technology during that time. It has all those classic sounds built into it. You couldn’t be in a ’80s band without having a DX7. That was the classic synth. And I’ve got everything from a DX 5 to

a DX10.”

Forcone, originally of Anaheim, Calif., also a full-time musician who played with numerous bands in the ’90s, said the pleasure of playing with a band whose primary aim is to entertain is liberating.

“For us, when we play, there are no worries,” Forcone said. “We get to play hit after hit after hit, which makes it extremely fun.”

Bussard, the bassist, has been working to compile hours’ worth of video that will synchronize with the stage show and present an analog to the decade-spanning ’80s set, and the synth-pop immersion has been rewarding to bandmates and spectators alike.

“The end goal is to have three big chunks of medley, where we can build three hours of both video and sound” to accompany the set, he said. “It just won’t stop.”

The band “1985” plays at Casey’s Bar in Whitefish on May 31.

 

A Different Side of the Maestro

Glacier Symphony and Chorale music director John Zoltek to play jazz show
John Zoltek | Contributed Photo
with Paul Faessel

with Paul Faessel

By Molly Priddy, 03-28-13
Anyone familiar with the Glacier Symphony and Chorale likely knows John Zoltek. At least, they know him by the back of his head and the wave of his conducting baton.This week, Glacier Symphony and Chorale patrons will get to see a different side of the music director, as he heads up an evening of jazz, dancing and fun at the Alpine Ballroom in Kalispell for the Symphony Soloist Spotlight show, “Jazz Night with the Maestro.”

The soloist spotlight shows are a way for the GSC audience to have a better chance of connecting with an artist, GSC executive director Alan Satterlee said in an interview last week.

“It’s really a great chance to have an up-close-and-personal experience with some amazing guest artists,” Satterlee said.

Satterlee said the guest artists who perform in these spotlight events are asked to arrive in the Flathead on the Thursday before their weekend show. Then, they play a small, intimate concert at the Alpine Ballroom on Main Street in Kalispell.

It allows the musician to get a sense of the community he or she is playing for, Satterlee said. The casual setting adds to the relaxed atmosphere, and a cash bar is available.

The March 28 event will feature Zoltek on the jazz guitar, which he pursued during his time at Berkeley Music School before feeling the pull of conducting and classical music, Satterlee said.

Accompanying Zoltek on stage will be Erica von Kleist on saxophone and flute, Don Caverly on percussion, Paul Faessel on bass, Grant Sorlie on vibraphone and Amy Zoltek on vocals.

Satterlee noted that Zoltek’s inclusion in the spotlight series – this month’s the fourth out of five planned events – allows the conductor to interact with the community in a new way, and gives better access to the personalities behind the GSC.

“A lot of people haven’t seen him play his guitar,” Satterlee said. “It’s a fun way to see a different side of John.”

The first spotlight event held in October was lightly attended, Satterlee said, but the shows have gained a following since then and are typically sold out. The second show in November featured four of the singers who performed in the Beethoven’s Ninth Symphony, and the third show in February featured classical guitarist Ana Vidovic.

On April 25, the spotlight event will feature Vassily Primakov, a world-class pianist hailing from Russia, before he closes out the GSC’s season with the “Rollin’ with Beethoven” finale on April 27 and April 28.

In honor of the jazzy feel to the March 28 show, Satterlee said the ballroom will be transformed into a cozy nightclub, with tables and a cash bar offering beer, wine and several specialty drinks.

The evening’s musical selections will include a variety of standard, modern and contemporary jazz music, such as those written by Wayne Shorter, John Coltrane, and Carlos Jobim. Songs will include some popular jazz songs, such as “When I Fall In Love,” “My Romance,” “This Masquerade,” “What’ll I Do,” “Killer Joe” and plenty more.

Doors open at 7 p.m. on the evening of the show, and tickets are $15. Seating is limited, and the GSC suggests buying tickets early to ensure a spot inside.

For more information on the March 28 “Jazz Night with the Maestro” or for ticketing information, visit the GSC website www.gscmusic.org or call 257-3241. The Alpine Ballroom is located at 333 S. Main St. in Kalispell.

Jazz and a Helping Hand! Flathead Beacon artile

Manhattan Jazz Night Out at Crush to support the Abbie Shelter

Clockwise from left to right: Don Caverly, Erica von Kleist, Miles Fortenberry and Richie Barshay. – Courtesy photos
By Molly Priddy, 01-03-13
Two for one is always an enticing deal, especially when the only string attached is that the money spent will help those who desperately need it.On Jan. 5, there will be ample opportunity to score such a deal. A fundraiser for the the Abbie Shelter – a vital resource in the Flathead community – offers supporters a chance to know they’re helping while also listening to a jazz experience featuring nationally renowned talent.

The Manhattan Jazz Night Out evening of music will take place at Crush Wine Bar at 8 p.m., and will feature musicians Erica von Kleist, Miles Fortenberry, Richie Barshay and Don Caverly.

Crush is donating the space for the evening, said manager Megan Grunow, and 100 percent of the ticket sale proceeds will go to the Abbie Shelter.

The Abbie Shelter is a nonprofit safe haven for women who face domestic abuse and their children. According to the Abbie Shelter staff, who asked to remain anonymous to protect the women in their care, the shelter is open 24 hours a day and run mostly on volunteer power.

There are only a few staff members in the entire program, they said. The shelter provides food, clothes and toiletries for the women and children who stay there, because they typically head to the shelter when their abuser is either asleep or at work and show up with little-to-no possessions.

“All of those funds that we would raise from the fundraiser would go to provide things for women at the shelter,” the staff member said.

The shelter also offers group therapy sessions for the women with a volunteer therapist, and the children are also offered opportunities to visit with a volunteer therapist. A victim’s advocate also helps the women when it comes to court issues.

The Abbie Shelter is also responsible for the Violence Free Crisis Line, which operates 24/7 to give women advice on an array of topics surrounding domestic violence, including resources in the valley, handling abuse or help getting to the shelter.

The shelter relies on contributions and fundraising events for about 60 percent of its budget, while generous grant providers account for the other 40 percent, the staff member said.

“Over Christmas we were really lucky to get donations from the community, both monetarily and actual products,” the staff member said.

The Manhattan Jazz Night Out will help bolster the shelter’s budget, offering a world-class evening of music with artists from all over the country.

Erica von Kleist is one of the most in-demand young jazz artists in New York City, offering her flute and saxophone talents to perform with Wynton Marsalis, Chris Potter, Sean Jones, and The Jazz at Lincoln Center Orchestra. She has played on Broadway and is a member of the band, “No Exceptions.”

Miles Fortenberry is a guitarist who studied at Montana State University and currently lives in the jazz capital of the world, New Orleans. He has played with the Jack Waller Quintet and boasts a considerable local following.

Percussionist Richie Barshay of New York comes to the Flathead with a wide-ranging musical resume, including live and recorded work with Herbie Hancock, Chick Corea, Esperanza Spalding, The Klezmatics, Fred Hersch, Kenny Werner, Lee Konitz, Natalie Merchant, David Krakauer, Fred Wesley, Claudia Acuña, Bobby McFerrin and Pete Seeger.

And most local music fans will know Don Caverly, a Whitefish bassist and fixture in the Flathead music scene. Caverly is known for his work with Big Daddy and the Blue Notes and has studied with several prominent musicians.

Tickets to Manhattan Jazz Night Out are $30 at the door. For more information on the Abbie Shelter, visit www.abbieshelter.org, or call 752-4735. The phone number for the Violence Free Crisis Line is 406-752-7273.

Follow Your Heart: Valentine’s Day

Thank you to the Flathead Beacon for this awesome article and photo!

Don Caverly plays at The Lodge at Whitefish Lake on Feb. 14 | Courtesy photo
By Molly Priddy, 02-14-13
It’s that time of year: there are flowers, pink and red hearts, chocolate and greeting cards everywhere. It’s Valentine’s Day, and in the Flathead that means live music, dinner and gatherings of all kinds.

If you still don’t have plans for the auspicious occasion, there are plenty of events happening on and around Feb. 14 to consider. Activities range from concerts and dinners to parties for teenagers who aren’t quite into the romantic side of the holiday.

If the idea of kicking back with a live jazz show sounds like the right tenor for the evening, check out the The Boat Club at The Lodge at Whitefish Lake, which will be hosting a romantic dance band from 7 p.m. to 10 p.m.

The evening will feature Billy Wallace, a Denver pianist who learned jazz in Chicago and on 52nd Street in New York City; Chuck Florence, a tenor saxophonist whose career includes performances with Buddy DeFranco, Joe Williams and the Glenn Miller Band; local favorite Don Caverly on the bass; and Miriam Singer, a local jazz singer who studied the arts in Seattle, on vocals.

Bend the Trees official music video!

A wonderful new project featuring winner of the Yamaha 6 string theory competition, David Browne-Murray direct from Ireland, Jordan Silva, and Marco Forcone.

This video is a teaser of the bands first album the follow up to DBM’s fist record which was released in lat 2012.  This record goes beyond acoustic or electric music melding the two together like a pairing of fine wine.

click the link below to watch the video!

http://www.youtube.com/watch?v=iBM9IO1T60o

 

 

Mardi Gras Masqeurade and Zydeco Music!

The Red Hot Blue Chips are a band lead by Steve “Big Daddy” Kelly that features the work of David Griffith, Marshall Noice, Rosey, Don and we have an accordian and a female singer!

Join us on Feb. 9th in sommers for a Zydeco happening that won’t be happening anywhere else in the valley anytime soon.

Alpine Theatre Project “Yuletide 9”

I was privileged enough to be a part of a wonderful Christmas production featuring a plethora of talented artists and technicians.

Featuring the talents of:
David Ackroyd
Erica Von Kleist (nominated for downbeat flute player of the year, Broadway’s Adams Family)
Sharin Apostolou (3-time Met Opera Audition Finalist, Portland Opera)
Eden Atwood (former Concord Records jazz recording artist)
Tracy McDowell (Broadway’s Rent)
Ryan MacPherson (New York City Opera)
Rob Mosher (Award winning sax & woodwind player/composer)
Betsi Morrison
Don Caverly
N’Kenge (Broadway’s Sondheim on Sondheim & The Motown Musical)
Kim Steiner (Broadway’s Nine & High Society)
Billy Thompson (Award winning composer & musical director)
Aaron Vega (“Seymour” in ATP’s Little Shop of Horrors)
Luke Walrath
The shows were sold out and the cast, band, and crew worked like a well oiled machine!  Thank you ATP for some crazy christmas spirit!